Many novelists take well-defined, precise characters, whose stories are sometimes of mediocre interest, and place them in an important historical context, which remains secondary in spite of everything.
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We have gotten away from this double aspect of either putting the character back into historical events or of making a historical event of his very life.
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It is the creator of fiction's point of view; it is the character who interests him. Sometimes he wants to convince the reader that the story he is telling is as interesting as universal history.
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A very great Iliad... concerns the creation of a nation.
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To have one's own story told by a third party who doesn't know that the character in question is himself the hero of the story being told, that's a technical refinement.
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Religions tend to disappear with man's good fortune.
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It seems to me that an author who has determined very new domains in literature is Gertrude Stein.
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It doesn't seem to me that anyone has discovered much that's new since the Iliad or the Odyssey.