One of the most fun parts about my job is that when the music gets recorded live at the end of the project and real musicians play it, I still get goosebumps every single time.
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What I love about 'Game of Thrones' is that the positioning of the music is so well done, because it's not overdone. When the music cuts in, it really has something to say.
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I always really wanted to do film scoring, largely because I hate writing lyrics. I just won't do it. I need help with the words.
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I associate colors with music, or music with colors.
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My task is to tell a story with the music. I always like to have themes in terms of characters or plots, and things that can tell a story always interest me the most.
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The piano is such a timeless instrument.
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The tonality of the flute almost has a mystic element to me.
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In the case of 'Game Of Thrones,' I've been to set a couple of times, and it's really exciting and inspiring for me to see the set and the actors in action, meet them and talk to them, so it definitely helps. If I can go to set, I will.
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When I work on multiple projects, I'm really good at dividing my days, so I start in the morning with a clean slate.