I'm attracted to music made by people who let themselves be emotional. They really care about what they do, and we believe in what they say.
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You write these vulnerable songs as a sort of therapy, but if you don't confront people on a daily basis, it's not reality. There's still a bit of separation there.
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I was in musicals. and I was in the choir when I was younger. Before I started writing my own songs, I thought I wanted to be on Broadway, but it was nothing I ever really pursued.
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I didn't have my first band until I was, like, 30.
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I'm very democratic about stuff. I know what I want, but I also like getting opinions and people sharing ideas.
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My friends actually used to call me the 'Female Conor Oberst.' I got to open up with him once, and I told him about that, and he thought it was hilarious.
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If I start panicking a little bit, I just talk through it with somebody.
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People always ask me, 'Why do you only write about heartbreak?' I think I only write when I'm broken, so that's just what happens. It makes me feel better, but having some distance helps.
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I get things out of my system through my songs, but, because they can be about so many different things, it takes me a while to get through them emotionally.