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I feel that form determines how readers read a book and how they judge it.

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We still go to nonfiction for content. And if it's well-written, that's a bonus. But we don't often talk about the nonfiction work of art. That's what I'm very interested in.

For me, those little cinemas in Paris where I saw many art films for the first time meant that cinema became a kind of pilgrimage site.

I first got a sense of that idea of nodality - but I didn't use the word back then - with 'The Missing of the Somme': that sense of a particular place in a landscape or on a map having some kind of tremendous power to draw us to itself... that made me conscious, and since then, really, it has been an abiding concern of mine.

I would probably, in my 60s, be ready to start having kids, as long as I was spared all the stuff about it that doesn't appeal to me. By then, I'd have lost interest in practically everything, so there'd be no opportunity cost involved.

One of my great heroes, John Berger, he's in his 80s now. One of the reasons that he's remained young and all-around fantastic is his ongoing receptivity to new things. I think that's important.

Despite what Wordsworth says about thoughts that 'lie too deep for tears', I think tears are a pretty reliable indication of being in the grips of a profound experience.

The person doing the learning is the person writing the book as much as the person reading it.

I like things that are funny and have a lot else in them besides that - ideas, for example.

I've always had this belief that you want to write about universal truths.

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I feel that form determines how readers read a book and how they judge it.

I feel that form determines how readers read a book and how they judge it.

I feel that form determines how readers read a book and how they judge it.

I feel that form determines how readers read a book and how they judge it.

I feel that form determines how readers read a book and how they judge it.

I feel that form determines how readers read a book and how they judge it.

I feel that form determines how readers read a book and how they judge it.

I feel that form determines how readers read a book and how they judge it.

I feel that form determines how readers read a book and how they judge it.

I feel that form determines how readers read a book and how they judge it.

I feel that form determines how readers read a book and how they judge it.

I feel that form determines how readers read a book and how they judge it.

I feel that form determines how readers read a book and how they judge it.

I feel that form determines how readers read a book and how they judge it.

I feel that form determines how readers read a book and how they judge it.