A lot of us feel that we are against the war; we are against profiling and are against what is happening. We are tired of war in every manifestation. American people do not all believe in what the government has been doing.
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We have to realize only in communication, in real knowledge, in real reaching out, can there be an understanding that there's humanity everywhere, and that's what I'm trying to do.
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The dignity of everyday life - the beauty of it, the attitude of it - is what I live around. And it is never on screen, and it is certainly never associated with Africa. If we see Africa at all, it is always used as a backdrop: a big blob of a continent rather than a specific street or a country or a place.
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With Vietnam, the Iraq War, so many American films about war are almost always from the American point of view. You almost never have a Middle Eastern character by name with a story.
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I dream of living off the land completely - in vain, because the monkeys eat everything.
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The film-school mantra is that if you don't tell your own stories, nobody will.
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Truth is more peculiar than fiction. Life is really a startling place.
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We have not learned the lessons of 9/11. This wrongful suspicion, racial hatred, and profiling is what I keep seeing.
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Never take no for answer, and try to make films that turn you on.