My generation has to deal with how to overcome a trauma, how to overcome destruction, and how to tell the truth to the next generation.
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My generation has to deal with how to overcome a trauma, how to overcome destruction, and how to tell the truth to the next generation.
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I want to show that drama doesn't lie only in blood and destroyed buildings but in daily life, in ordinary human beings.
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What I'm trying to do with my work is to break open things that are sealed, that are under siege.
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I want to show that drama doesn't lie only in blood and destroyed buildings but in daily life, in ordinary human beings.
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Film is the most liberal of arts and, at the same time, it can be a very conservative art. Money that is involved in filmmaking is distributed mostly to men, thus creating a celluloid ceiling for women.
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As a child, I used to 'torture' other kids by making them be in my shows. I would sell tickets to neighbors and organize performances.
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'Grbavica' is first of all a story about love, about love that is not pure because it has been mixed with hate, disgust, trauma, despair.
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Cinema connects people: they respond as a group, you feel you are not alone, and you see you are not alone. Capitalism is destroying this social aspect of films, and even empathy, by creating the illusion that you are more important than the next person: 'You will buy this because you are special.' That is horrible.