I want to modernize the ancient. I prefer to work with materials formed naturally over thousands of years.
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I wanted to design a museum in which everything would seem clear.
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The Academy of Architecture in Mendrisio comes from afar. Our land has a millennial history of emigrations: master masons, architects, builders, decorators, plasterers, artists from the world of building.
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There is great mystery in a church. For me, there is a great privilege to be confronted with the design of a church because it shelters the most powerful themes of humanity: birth, marriage, death.
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The architect works in the territory of memory.
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Artificial light is used because you can control it better. Technically, it is more homogeneous, more delicate, and less damaging to artwork. But I think it's interesting when the visitor can see variations in the light, when it is not only technical or suitable.
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Church architecture describes visually the idea of the sacred, which is a fundamental need of man.
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For me, architecture is not just creating a space to protect people but to make them dream as well.
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A museum is a spiritual place. People lower their voices when they get close to art.