I ran off stage at my first gig. Halfway through it, I forgot my lines and didn't know what to do, so I just ran out of the building down towards a lake. I was going to throw myself in, but the compere came out and said, 'No, it's going well, come back and finish the gig!'
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Life without music would be a mistake.
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When you're really laughing, you feel like a little kid, and nothing matters.
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I always dreamt of being in 'Kerrang.' That was my ambition. I read that religiously when I was into heavy metal. Then the jazz magazines took over.
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I'm not a natural comic, I don't think. That's why I gave up stand-up. It was hard. It involved a lot of death. Dying. Dying on stage. But it's one of those jobs you can only learn by doing it.
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I can act with either eye, but you've got to be twice as good as an actor to act with one eye. You need to put all your emotions just through one eye and really punch it out of that eye. I found it quite difficult to do at first, and then I found a technique that allowed me to act with one eye, which I patented.
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Films do have suspense and tensions and scares and jumps, and I like to write things that have both in them, comedy and horror, but sometimes they are hard to balance.
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Pain - that is what life is about, isn't it? Suffering with moments of reprieve.
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For me, there's no dichotomy between being shy or a performer, because I think it's more a way of slightly presenting a version of things to the world.