When horror is about something - capital-A about - that's when it's really landing.
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I always tend to tilt dark on an ending, because I feel like, especially with horror movies, those are the endings that don't evaporate. Those are the ones that stick with you.
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One of the things about horror movies that I've noticed with the children I've worked with is that they have a great time.
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Well when I hear 'slasher' I think about the 80s.
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Audiences are embracing more and more unique material. I think they can sense the cynicism when people are just cranking something out to try to ride off the success of something else. I think they can feel it.
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Thanks to 'It,' you're going to see the studios take a lot more chances on a very specific vision. An R-rated horror film about children being eaten by a monster that lives in a sewer is not normally something that a studio would throw their weight behind. But we've seen the success of it, which props everyone up.
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I always liked the challenge of that, how to take an inanimate object and build something around it that's scary.
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I grew up in a very healthy nuclear family, and I was fortunate enough to not have to deal with loss and grief as a child.
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A movie studio has to answer to a marketing department, and to shareholders, to ensure the broadest audience possible for its product; it tends to err on the side of caution as a result.