My work space is so visually crammed. It's like an insane candy store. The number of textiles I'm surrounded with is mind boggling. It's a treat to come home to a nice negative space.
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It actually is as fun to make men's costumes, especially if they are as good-looking as Chris Hemsworth.
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Every story is different, so what is a detail in one might not be in something else. Diversity is something I embrace and love about my work.
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I think a lot of young girls go through that period in their life of finding who they are, and at that point, looking good matters the most.
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Inspiration comes from everywhere: books, art, people on the street. It is an interior process for me.
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It's great fun that my grandkids get to see the costumes in 'Alice in Wonderland' or a doll with grandma's dress, but then they also let me know they're bummed I didn't do any of the 'Pirates of the Caribbean' movies.
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The exposure I have had to beautiful materials across the world, from Japan to Italy, enables me to pull design ideas together. This, combined with years of historical research, has created a great fountain of ideas for me.
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I love designing costumes that I can actually construct, working to create an environment that people want to be in.
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As for futuristic costumes, I loved doing 'Gattaca' because I'm a minimalist at heart, and it's a very minimal film. Plus, with Uma Thurman, Ethan Hawke and Jude Law, how could you go wrong?
