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I got halfway through 'The Girl with the Dragon Tattoo.' I don't get it at all. What's the big thrill? It's boring.

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Never open a book with weather. There are exceptions. If you happen to be Barry Lopez, who has more ways to describe ice and snow than an Eskimo, you can do all the weather reporting you want.

I'm not going to write for posterity. I'm going to write to make a buck.

I really - I don't take my work that seriously, and I think that's what keeps me loose. If I try to write, if I catch myself trying to write, I'll fall right on my face. I'll see it. If I see in the prose that I'm - 'Boy, look at me writing,' I rewrite it. I rewrite it because I don't, because I think it's distracting.

I think any writer is a fool if he doesn't do it for money. There needs to be some kind of incentive in addition to the project. It all goes together. It's fun to sit there and think of characters and get them into action, then be paid for it. I can't believe it when writers tell me 'I don't want to show my work to anybody'.

When you are developing your style, you avoid weaknesses. I am not good at describing things, so I stay away from it. And if anyone is going to describe anything at all, it's going to be from the point of view of the character, because then I can use his voice, and his attitude will be revealed in the way he describes what he sees.

I'm not aware of a cadence when writing, but I hear it after. I write in longhand, and that helps. You're closer to it, and you have to cross things out. You put a line through it, but it's still there. You might need it. When you erase a line on a computer, it's gone forever.

I do have fun writing, and a long time ago, I told myself, 'You got to have fun at this, or it'll drive you nuts.'

There are 500 million people on Facebook, but what are they saying to each other? Not much.

I would say just start writing. You've got to write every day. Copy someone that you like if you think that perhaps could become your sound, too. I did that with Hemingway, and I thought I was writing just like Hemingway. Then all of a sudden it occurred to me - he didn't have a sense of humor. I don't know anything he's written that's funny.

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I got halfway through 'The Girl with the Dragon Tattoo.' I don't get it at all. What's the big thrill? It's boring.

I got halfway through 'The Girl with the Dragon Tattoo.' I don't get it at all. What's the big thrill? It's boring.

I got halfway through 'The Girl with the Dragon Tattoo.' I don't get it at all. What's the big thrill? It's boring.

I got halfway through 'The Girl with the Dragon Tattoo.' I don't get it at all. What's the big thrill? It's boring.

I got halfway through 'The Girl with the Dragon Tattoo.' I don't get it at all. What's the big thrill? It's boring.

I got halfway through 'The Girl with the Dragon Tattoo.' I don't get it at all. What's the big thrill? It's boring.

I got halfway through 'The Girl with the Dragon Tattoo.' I don't get it at all. What's the big thrill? It's boring.

I got halfway through 'The Girl with the Dragon Tattoo.' I don't get it at all. What's the big thrill? It's boring.

I got halfway through 'The Girl with the Dragon Tattoo.' I don't get it at all. What's the big thrill? It's boring.

I got halfway through 'The Girl with the Dragon Tattoo.' I don't get it at all. What's the big thrill? It's boring.

I got halfway through 'The Girl with the Dragon Tattoo.' I don't get it at all. What's the big thrill? It's boring.

I got halfway through 'The Girl with the Dragon Tattoo.' I don't get it at all. What's the big thrill? It's boring.

I got halfway through 'The Girl with the Dragon Tattoo.' I don't get it at all. What's the big thrill? It's boring.

I got halfway through 'The Girl with the Dragon Tattoo.' I don't get it at all. What's the big thrill? It's boring.

I got halfway through 'The Girl with the Dragon Tattoo.' I don't get it at all. What's the big thrill? It's boring.