No one would ever have heard Marcus Hummon's version of 'Cowboy, Take Me Away' if he hadn't recorded it on the Sampler. I would have heard it because I hear him sing all the time, but no one else would have been able to enjoy it, and now they can and will be able to for years.
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Chuck is definitely my favorite co-writer, and my best. It is really hard to make yourself vulnerable enough for somebody to get inside your head while songwriting. Chuck and I find writing together very non-competitive and just really easy.
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If things are just gliding along easily and there's no real obstacles or hurdles, those typically aren't my most productive times, personally or professionally.
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To make a label change is a difficult time because there is that lag period between the product you had out and the next project you're going to make on your new label.
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I would love to go to England, Europe and especially Australia. I have a real fantasy about playing in Australia; I would love to get over there.
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I have had such a satisfying career; I've gotten to do so many amazing things as an artist.
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Leaving your old record label doesn't have to be a stall in your career. It's like new life being breathed into it.
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I love music with my soul, but I'm also a student of it, so it's very important to me to earn the respect of my peers, my fellow musicians and producers.
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It used to be that labels would spend two or three or four albums developing a new artist before they threw in the towel and moved on, which kind of gave the artist an opportunity to grow.
