There's a happiness that comes from writing that I won't live without.
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After decades spent in rewrite rooms surrounded by other shouting writers, I discovered that I work best alone. I like being in charge of my time, working out the problems according to my own rhythms and being able to nap. That's a big one, the napping on demand!
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I try to begin with a strong grasp of my characters. Even if it's schematic, I need it clear in my head who these people are.
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In a lot of ways, TV writing taught me how to be a good storyteller. I learned about dialogue, scenes, moving the plot forward.
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When you become a parent, that's a whole new level of life intruding. Nobody tells you how boring and time-sucking it's going to be! Or how the responsibility feels like an airbag going off in your life.
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I must say, it was a lot easier writing novels than I thought it would be. I think it's because I'm a novelist at heart, and it took me a while to figure that out.
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The one constant in my life has been my love of books: reading them, thinking about them, talking about them, holding them, turning people on to new ones.
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In my high-minded and naive way, I believed the only books worth reading were the classics.
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'Mad About You' fit my sensibility the most of any show that I worked on, and as a result, it was really fun. It felt like a very natural fit.