People don't realize I make records eight or nine months before they come out. I'm directing the videos; I have a lot of work to do. I'm very involved in all that stuff creatively.
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I think some of the best music throughout the actual history of music itself came from cultures where they're not really looking for outside themes. It's developed from their hometowns - it's what they love and what they love to do.
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At the end of the day, we want love, and we want to feel loved.
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Sometimes I feel drawn to writing about my shortcomings because I'm chock full of them.
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A lot of the album 'The Definition' was made from two things: Pixar movies and J. Dilla.
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I'm just a product of the '90s, to be honest.
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Sometimes, people will fight over five, six percent, because if it's a smash record, that can mean a lot of money. I don't really care.
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I'm not afraid to have my music digestible by different ages.
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I always want to approach records from where it feels very graspable. You know what the song's about, but it's presented to you in a way that's like, 'I never heard something like this before,' but it doesn't push you away.
