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I seem to be drawn to things that actually happen.
Designing Woman was written for the screen.
But I went down to Venezuela and spend a few weeks going through jungles. It's fantastic looking.
It's the story that counts.
I made three films with Douglas, two with Charles Boyer.
I started out to be a painter and was born into the theater.
That's what I think musicals will come to. No backstage stories, nothing of that sort.
It's always the story that interests me.
I allow an area for improvisation because the chemical things actors bring to stories make it not work.
In the Thirties, when I was in New York, I did the first surrealistic ballet in a show of mine.
