I think, a lot of times in Hollywood, the right idea comes along at the right time, and it becomes in retrospect, 'Wow, why didn't I think of that?'
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I find, a lot of the time, kids can get stuck on, 'Oh no, he doesn't have blue eyes,' with books. You're kind of like, 'Well, that you're going to get over by the time the movie comes out.'
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As a kid, I was always the jokester. I was telling stories at dinner and trying to make people laugh.
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Sometimes people get in position where they get in a big movie and overplay their hand. What that huge check does is put a target on an actor's back.
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A lot of times, you finish a movie, and you're either going, 'Oh, thank God, that's over,' or 'Oh, my God, it's over, and I don't want it to end.'
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You'll go see a movie like 'Matrix 2,' and the car chase goes on and on and on and on. They had all the money in the world and all the time in the world. It doesn't make it an any better action sequence.
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There are very few movies that become real phenomenons the way 'Twilight' or 'The Hunger Games' did.
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'Fault' became the book everybody and their mother had to read, and 'Paper Towns' is one that's beloved, but it's a bit of a smaller book.