I definitely love to work, and I'm loving being a mommy, so I'd like to try to balance both.
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I really wished I had done the backpacking-through-Europe thing when I was younger, but I was busy doing musical theater.
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A huge part of Irish dance is balance, which is so good for any kind of combat - just being aware of your body.
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I went to a really small school, and it had a really small theater department. They didn't talk about Broadway. I learned about it through watching the Tony Awards.
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In '24,' you spend so much time with your faces really close, eye contact with such intensity.
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'Bosch' itself - it has a huge fanbase already from the Michael Connelly books, so it was definitely intriguing because you know going in that there's all those people who will want to watch it, and I knew it was going to be a down-and-dirty, gritty, no-make-up part, so that was scary and yet so exciting.
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It's been a pretty amazing experience, getting to go from 'Bosch' to 'The Vampire Diaries' back-to-back, with a little 'Castle' in between.
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Luckily with '24,' for the most part, each moment is so intense, and your objective is all about that moment right then.
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I was a diehard fan of '24' since the beginning. But being on the show, there was stuff I never thought about as a viewer, like, wow, it's going to be a single day for 10 months out of your life - you have to look exactly the same every day.
