When I came to New York, I began to meet the people who became the most famous artists of our time. I was insecure about my own level of ability, I didn't know whether I could compete with these people and, at the same time. I was wondering what is this anyway?
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I was a student at Harvard, and that's where I learned about so-called avant-garde music. Jackson Pollock, abstract expressionism and painting were well known at this time.
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I began composing works which were imitative of the music I was being told about. I was also very interested in translating the music into visual terms.
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Rock became an incredible commercial success, people just became bored with serious music, and it was forgotten.
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I'm actually a great fan of lucidity.
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I began demonstrating against serious culture. In hindsight, the actual course of events has been very humiliating for me, because no one picked up on the intellectual critique I made.
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Since 'concepts' are closely bound up with language, concept art is a kind of art of which the material is language.
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I'm trying to assemble materials for a different mode of life.
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Around 1967 I began backing away from dogmatic Leninism, not so much because I thought it was false, I just decided there was nothing utopian about it.