I read numerous books - loads in fact - and, as I always do when recording a historical project, immersed myself into the subject matter. I spent many hours at Henry's old homes, such as Hampton Court, and visiting the Tower of London. I read no other books during that period.
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But I'd play on everything from pop records to a lot of the glam stuff to rock stuff to classical stuff. I used to get called to do all those things, it was great.
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To play music, you have to understand it. I didn't understand 'Topographic Oceans.' That's why I hardly played on it. It frustrated me no end - and playing the whole thing on tour, I got farther and farther away from it.
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I am a very extreme sort of character, as I don't do things by halves.
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The studio is not the place to write. You need to be 75% ready when you go into the studio, and then the music can develop to the next stage.
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I've got an overactive brain. I enjoy work, I enjoy life, and I'm not good at relaxing. I've also never slept very much due to this overactive imagination and my brain constantly thinking.
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I didn't enjoy 'Topographic Oceans' at all. It was a double album, and the truth is it was padded out, and I didn't like that. But I was a fan of Yes - still am - and as such, I'm entitled to say what I think.
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'Tales From Topographic Oceans' is like a woman's padded bra. The cover looks good, but when you peel off the padding, there's not a lot there.
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My faith is very private to me. It plays an important part in my life, but I do not try and throw my beliefs at others. I have tremendous respect for all faiths and beliefs, but have a deep concern that religion and faith are currently a long way apart from each other.