I write and write and write, and then I edit it down to the parts that I think are amusing, or that help the storyline, or I'll write a notebook full of ideas of anecdotes or story points, and then I'll try and arrange them in a way that they would tell a semi-cohesive story.
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It becomes more important to me as time goes on to make every album the best thing I've ever done, so it's a lot of self-imposed pressure that also kind of slows me down a bit.
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So I'm one of the few celebrities that got to do a repeat performance on 'The Simpsons,' which I'm very flattered by.
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People that were a little nerdy in high school would look up to me and know it gets better.
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You don't need to be defined by your job.
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A lot of rap songs don't usually have a lot of melody per se.
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As much as people are griping about the Internet taking sales away from artists, it's been a huge promotional tool for me.
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What kind of morons do you have working at newspapers in Austin that would base an entire review of an artist's performance on whether or not they had a good seat?