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In big battle scenes, like 'King Arthur', you see the knights in all their fine armour, but they're not in the thick of it: follow the perspective, and you'll find some poor little sod, who didn't want to be there, anyway, with his head split.

- Michael Foreman
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Author:
Michael Foreman
Tags:
King
Battle
Perspective
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I never read any fairy tales or classics until I was an adult; all we ever had was comics... No television, either. If we wanted entertainment, we hung around the fish shop.

I didn't read children's books when I was a child. The only books in our house were ration books.

When coming in to land at Santiago, Chile, I saw the area between the city and the Andes mountains was smoking with rubbish dumps. While exploring the dumps, I made friends with people living and working there and saw how they survived through recycling the rubbish.

For me, travelling and drawing the world, experiencing as much as possible first hand, has been very important. Making notes, drawing and writing on the move, became second nature.

Drawing was the only thing I was any good at in school, but I never dreamt I would, or even could, spend my life doing it.

I don't think about 'age groups.'

From an early age, I had always loved drawing. Laying on the floor, in front of the fire, drawing from my imagination, marching soldiers, dive bombers, spaceships and monsters. Now, suddenly, I was drawing from real life!

Things have to be believable, not in a literal, photographic sense, but in an emotional sense - capturing the essence of the situation.

When I started writing and illustrating, I knew little of classic children's literature. My stories came from real life, from my concerns about what was happening in the world.

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In big battle scenes, like 'King Arthur', you see the knights in all their fine armour, but they're not in the thick of it: follow the perspective, and you'll find some poor little sod, who didn't want to be there, anyway, with his head split.

In big battle scenes, like 'King Arthur', you see the knights in all their fine armour, but they're not in the thick of it: follow the perspective, and you'll find some poor little sod, who didn't want to be there, anyway, with his head split.

In big battle scenes, like 'King Arthur', you see the knights in all their fine armour, but they're not in the thick of it: follow the perspective, and you'll find some poor little sod, who didn't want to be there, anyway, with his head split.

In big battle scenes, like 'King Arthur', you see the knights in all their fine armour, but they're not in the thick of it: follow the perspective, and you'll find some poor little sod, who didn't want to be there, anyway, with his head split.

In big battle scenes, like 'King Arthur', you see the knights in all their fine armour, but they're not in the thick of it: follow the perspective, and you'll find some poor little sod, who didn't want to be there, anyway, with his head split.

In big battle scenes, like 'King Arthur', you see the knights in all their fine armour, but they're not in the thick of it: follow the perspective, and you'll find some poor little sod, who didn't want to be there, anyway, with his head split.

In big battle scenes, like 'King Arthur', you see the knights in all their fine armour, but they're not in the thick of it: follow the perspective, and you'll find some poor little sod, who didn't want to be there, anyway, with his head split.

In big battle scenes, like 'King Arthur', you see the knights in all their fine armour, but they're not in the thick of it: follow the perspective, and you'll find some poor little sod, who didn't want to be there, anyway, with his head split.

In big battle scenes, like 'King Arthur', you see the knights in all their fine armour, but they're not in the thick of it: follow the perspective, and you'll find some poor little sod, who didn't want to be there, anyway, with his head split.

In big battle scenes, like 'King Arthur', you see the knights in all their fine armour, but they're not in the thick of it: follow the perspective, and you'll find some poor little sod, who didn't want to be there, anyway, with his head split.

In big battle scenes, like 'King Arthur', you see the knights in all their fine armour, but they're not in the thick of it: follow the perspective, and you'll find some poor little sod, who didn't want to be there, anyway, with his head split.

In big battle scenes, like 'King Arthur', you see the knights in all their fine armour, but they're not in the thick of it: follow the perspective, and you'll find some poor little sod, who didn't want to be there, anyway, with his head split.

In big battle scenes, like 'King Arthur', you see the knights in all their fine armour, but they're not in the thick of it: follow the perspective, and you'll find some poor little sod, who didn't want to be there, anyway, with his head split.

In big battle scenes, like 'King Arthur', you see the knights in all their fine armour, but they're not in the thick of it: follow the perspective, and you'll find some poor little sod, who didn't want to be there, anyway, with his head split.

In big battle scenes, like 'King Arthur', you see the knights in all their fine armour, but they're not in the thick of it: follow the perspective, and you'll find some poor little sod, who didn't want to be there, anyway, with his head split.