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My first real job as a director was working with Robbie Baitz on his play 'Three Hotels.' It was an incredible collaboration.

- Joe Mantello
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Joe Mantello
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Jayne Houdyshell and I - when I was 17 years old - did summer stock together at the Timber Lake Playhouse in Mt. Carroll, IL. She was the leading lady of the company, and I was an intern.

I think, as written, 'Assassins' simply acknowledges the very human need to be acknowledged. As director, I've got to put aside any particular biases or prejudices that, as a moral human being, this is not an appropriate or acceptable way to get what you want.

The way I feel about rehearsals is that the best idea wins.

There are plenty of other actors who are wonderful that just don't work in a way that I work, or our methods aren't necessarily compatible. But then there are those you instinctually just are drawn to.

I think the audiences in Chicago are really open. They're engaged and eager, and they don't feel cynical to me. Sometimes in New York, there's a sense of, 'Prove it to me; prove this is worth my time.' I never felt that in Chicago.

If I hadn't gone into the theater, I would be a painter.

I don't think of gay writers. I mean if you were to say to me who are the straight writers, well, you wouldn't ask me that question. So for me to identify a little tribe of gay writers, I don't know.

I have a responsibility to diversity onstage, but one of the things I've heard about our production of 'Boys' is that it's a bunch of white guys. Well, race is a component of this play. You can't just drop people in willy-nilly and say, 'Well, we're going for diversity.'

I do not resent Sarah Jessica Parker. We've been friends for decades. I just do not like what 'Sex and the City' did to my neighborhood.

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My first real job as a director was working with Robbie Baitz on his play 'Three Hotels.' It was an incredible collaboration.

My first real job as a director was working with Robbie Baitz on his play 'Three Hotels.' It was an incredible collaboration.

My first real job as a director was working with Robbie Baitz on his play 'Three Hotels.' It was an incredible collaboration.

My first real job as a director was working with Robbie Baitz on his play 'Three Hotels.' It was an incredible collaboration.

My first real job as a director was working with Robbie Baitz on his play 'Three Hotels.' It was an incredible collaboration.

My first real job as a director was working with Robbie Baitz on his play 'Three Hotels.' It was an incredible collaboration.

My first real job as a director was working with Robbie Baitz on his play 'Three Hotels.' It was an incredible collaboration.

My first real job as a director was working with Robbie Baitz on his play 'Three Hotels.' It was an incredible collaboration.

My first real job as a director was working with Robbie Baitz on his play 'Three Hotels.' It was an incredible collaboration.

My first real job as a director was working with Robbie Baitz on his play 'Three Hotels.' It was an incredible collaboration.

My first real job as a director was working with Robbie Baitz on his play 'Three Hotels.' It was an incredible collaboration.

My first real job as a director was working with Robbie Baitz on his play 'Three Hotels.' It was an incredible collaboration.

My first real job as a director was working with Robbie Baitz on his play 'Three Hotels.' It was an incredible collaboration.

My first real job as a director was working with Robbie Baitz on his play 'Three Hotels.' It was an incredible collaboration.

My first real job as a director was working with Robbie Baitz on his play 'Three Hotels.' It was an incredible collaboration.