I try not to read acting books any more, but they set a high bar for me very early on.
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I saw a production of 'The Seagull' at Dallas Theatre Center when I was in high school, and it really did a number on me.
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In the wake of such bad news, it was heartening to know that what 'Sense8' stood for meant so much to so many people.
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What is it like to get in someone's head and hunt them from inside their eyes? That's so freaky to me.
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As storytellers, we tend to want to force-feed everything and have everybody understand everything right away, and we freak out if they don't.
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You'll get, like, 10 pages of sides the night before, and you have to go in and just wing it. For someone like me, I came from the theater, and I don't like putting anything up in front of anybody until it's really, really ready, so it can be very frustrating.
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When you think someone really has the upper hand, you realize that someone has been played the entire time, and there's a whole other layer where you think the person who is doing the playing has also been played.
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Juilliard. It was a brutal and beautiful experience.
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I loved the idea that acting was something you could develop into slowly; something you could study.
