"I'm impossible when a book is taking shape. Well, actually, I'm despicable." — Lloyd Alexander

After high school, I worked as a messenger boy at a local bank. I was miserable. I felt like Robin Hood chained in the Sheriff of Nottingham's dungeon. As a would-be writer, I thought it was a catastrophe. As a bank employee, I could barely add or subtract and had to count on my fingers.

In whatever guise - our own daily nightmares of war, intolerance, inhumanity or the struggles of an Assistant Pig-Keeper against the Lord of Death - the problems are agonizingly familiar. And an openness to compassion, love, and mercy is as essential to us here and now as it is to any inhabitant of an imaginary kingdom.

Fantasy is hardly an escape from reality. It's a way of understanding it.

Perhaps one reason we are fascinated by cats is because such a small animal can contain so much independence, dignity, and freedom of spirit. Unlike the dog, the cat's personality is never bet on a human's. He demands acceptance on his own terms.

From as far back as I can remember, I always loved the King Arthur stories, fairy tales, mythology - things like that. So it was very natural for me when I came to write the 'Prydain' books to sort of follow that direction.

I first wrote for adults, but when I started writing for young people, it was the most creative and liberating experience of my life. I was able to express my own deepest feelings far more than I ever could when writing for adults.

I used the imaginary kingdom not as a sentimentalized fairyland but as an opening wedge to express what I hoped would be some very hard truths.

Heroes are people who think more of others than themselves. This is not to say that they don't think of themselves. They do. They certainly do. But they think of others more.

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I'm impossible when a book is taking shape. Well, actually, I'm despicable.