My father discovered that our family had made long-case clocks in Warwickshire in the early 18th century. He managed to track down a fine example through an English antiquarian and horologist and gifted it to me for my 30th birthday.
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If I'm in the English countryside and get on my bicycle, I see what sort of strange inbred rural locals I can snap.
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My dream, dream acquisition would probably be a Twombly chalkboard. I've been fortunate to see one or two in a private context, and I think it's just sort of quintessentially brilliant, timeless, modern.
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I was given an eight-foot painting on a luminous yellow background as a parting gift when leaving Paris in 2008. I did not dare take it with me to N.Y.C. and understood that the cost of shipping would have far outweighed the cost of the work.
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A great friend and mentor, Simon de Pury, invited me to be auctioneer at Phillips de Pury, which was a great honor.
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I always have my lucky gavel in case I have to do an auction on short notice.
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Artists will always depend on the brick-and-mortar ecosystem to establish authority and context.
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In terms of wedding gifts, I like to buy people experiences.
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I am never without my gavel, which I bought from an antique shop in Burford, in the Cotswolds.