The larger your audience, the smaller your vocabulary and range of referents - the fewer your means of expression. You can't rely on the luxury of intimacy.
All technology does is give us back to ourselves. So to be anti-technology in a sense is to be anti-human.
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The problem is Jewish-American fiction that always ends with assimilation back into the community.
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The Muslim heaven features prominently in the Quran, Arabic poetries and Hadith. The Jewish heaven, though, is still a mystery; it's mystic.
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What do I want from a book? Something protean, something always on-the-move-or-make - shape-shifting, semantically-and-syntactically-shifting.
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Metaphors, similes, puns - all manner of metonymy - I'm interested in language that cannot be parsed by a machine - language that can only be understood through acculturation.
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Most literature everywhere and of every time is bad.
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I first read Dostoyevsky when I was 14 years old and was entranced. Dostoyevsky truly is a writer for 14-year-olds, and I mean that in the most approving way - approving of his energy, and rage, his endless pessimism, and endless innocence.
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There are so many classic Big Brother warning books: the Internet is a horrible, controlling thing, as if it has a consciousness or political agenda.
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Without computers, in the 17th century, we could classify the entire animal kingdom... there was this idea of the speciation, right? And now, all a search engine is is essentially the mathematical speciation of ideas - and these things really derive from the way that language is used and the way words relate.
The larger your audience, the smaller your vocabulary and range of referents - the fewer your means of expression. You can't rely on the luxury of intimacy.
The larger your audience, the smaller your vocabulary and range of referents - the fewer your means of expression. You can't rely on the luxury of intimacy.
The larger your audience, the smaller your vocabulary and range of referents - the fewer your means of expression. You can't rely on the luxury of intimacy.
The larger your audience, the smaller your vocabulary and range of referents - the fewer your means of expression. You can't rely on the luxury of intimacy.
The larger your audience, the smaller your vocabulary and range of referents - the fewer your means of expression. You can't rely on the luxury of intimacy.
The larger your audience, the smaller your vocabulary and range of referents - the fewer your means of expression. You can't rely on the luxury of intimacy.
The larger your audience, the smaller your vocabulary and range of referents - the fewer your means of expression. You can't rely on the luxury of intimacy.
The larger your audience, the smaller your vocabulary and range of referents - the fewer your means of expression. You can't rely on the luxury of intimacy.
The larger your audience, the smaller your vocabulary and range of referents - the fewer your means of expression. You can't rely on the luxury of intimacy.
The larger your audience, the smaller your vocabulary and range of referents - the fewer your means of expression. You can't rely on the luxury of intimacy.
The larger your audience, the smaller your vocabulary and range of referents - the fewer your means of expression. You can't rely on the luxury of intimacy.
The larger your audience, the smaller your vocabulary and range of referents - the fewer your means of expression. You can't rely on the luxury of intimacy.
The larger your audience, the smaller your vocabulary and range of referents - the fewer your means of expression. You can't rely on the luxury of intimacy.
The larger your audience, the smaller your vocabulary and range of referents - the fewer your means of expression. You can't rely on the luxury of intimacy.
The larger your audience, the smaller your vocabulary and range of referents - the fewer your means of expression. You can't rely on the luxury of intimacy.