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One problem with relying on existing concepts is that it could stifle innovation, weakening the film sector over time.

- Anita Elberse
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Author:
Anita Elberse
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Time
Innovation
Film
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When a publisher spends an inordinate amount on an acquisition, it will do everything in its power to make that project a market success.

I spend way too much time watching television, going to sports games, going to movies. It struck me that there's an awful lot of data in the public domain for these sectors. The movie industry publishes weekly sales numbers - not many industries do.

With so much money invested in their most promising projects, Hollywood executives will understandably do everything in their power to make their products a success in the marketplace. Therefore, the most expensive films often also get the highest marketing budgets, and are slotted into the most favorable opening weekends.

Think about trailers you see in theaters. If you're seeing a Warner Bros film, the studio might have three of the five trailers. So having a hit helps you create the next hit.

The average movie-goer in this country sees six films in a year. That's one every two months. What the studios are trying to do is make sure it's their movie.

Most of my colleagues have research awards on the shelf. I have party invites.

For the first case I did with Octone, 360 deals were not at all being talked about. And then for the follow-up case, it was the focus. I wanted to see how things were changing and what the new challenges were.

What you get when you put all your resources behind a product, is you get everyone to join in.

Because making movies is such an expensive endeavor, other media such as books and comics have long been a more feasible way to experiment with truly new ideas.

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One problem with relying on existing concepts is that it could stifle innovation, weakening the film sector over time.

One problem with relying on existing concepts is that it could stifle innovation, weakening the film sector over time.

One problem with relying on existing concepts is that it could stifle innovation, weakening the film sector over time.

One problem with relying on existing concepts is that it could stifle innovation, weakening the film sector over time.

One problem with relying on existing concepts is that it could stifle innovation, weakening the film sector over time.

One problem with relying on existing concepts is that it could stifle innovation, weakening the film sector over time.

One problem with relying on existing concepts is that it could stifle innovation, weakening the film sector over time.

One problem with relying on existing concepts is that it could stifle innovation, weakening the film sector over time.

One problem with relying on existing concepts is that it could stifle innovation, weakening the film sector over time.

One problem with relying on existing concepts is that it could stifle innovation, weakening the film sector over time.

One problem with relying on existing concepts is that it could stifle innovation, weakening the film sector over time.

One problem with relying on existing concepts is that it could stifle innovation, weakening the film sector over time.

One problem with relying on existing concepts is that it could stifle innovation, weakening the film sector over time.

One problem with relying on existing concepts is that it could stifle innovation, weakening the film sector over time.

One problem with relying on existing concepts is that it could stifle innovation, weakening the film sector over time.