Human Needs Project is really about how to come up with a different approach to helping, really focusing on the dignity of people living in communities you are not a part of, and how to approach these communities with help, but more look at it as an investment and a collaboration with these communities rather than, 'Here comes the white savior!'
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True strength lies in openness and working in concert with people and events.
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It's disconcerting that there's been this weird business model focused on teenaged boys, and it comes with a completely unexamined social cost. I hope there's an awareness happening to create an audience habituated to seeing women as they really are, rather than just a masticated shadow.
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I'm definitely more attracted to chaos than to order. The point is, I find the female roles out there very cliche. If we are limited to being only lovers or mothers, we are limiting ourselves.
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Often when you get a really good script, and you receive the new pages, you see that the entire thing has been dumbed down. Films in the '30s and '40s, that were huge blockbusters, were very sophisticated in their language, and the ideas they brought. There were no questions about whether the audience would get it or not.
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I don't think people who are already burdened with social, economic, psychological situations, dysfunctional families, need to be burdened with other people with the same problems.
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I started on the stage with my mom in Denmark doing political revues in a small, small town.
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I am a political animal.
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It's the best thing, when you are in a creative space, discovering something and being enamored with it and excited by it.
