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I didn't know how to go about preparing for the part of someone who can't remember who he is. The frustration angle is written in, but there's also this incredible passive state.

- Tom Berenger
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Author:
Tom Berenger
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Frustration
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I'm probably satisfied with my career 80 percent of the time.

I got to talking to an old actor, and he had a bunch of stories about the Rough Riders.

I wrote a script. I actually enjoyed writing it more than acting. It's about the Irish rebellion of 1920, which is a fascinating period and place for me.

I guess if I weren't an actor, I'd be a history professor.

The Big Chill is one of those things that everybody can identify with. Between eight characters, they can pick somebody who's somewhat like them.

Sometimes I think I'm real predictable to myself and other times... you always wonder, Is this really what I wanted to do? Did I make a mistake? Should I be doing something else?

I was kind of confused. I thought, Well, if I get drafted, I'll go. Everybody was very concerned with it. I had friends who went. Some that came back and some that didn't.

Most of what gets made now, you laugh your way through, go home and forget you've seen it.

I came in on the tail end of the old school of Hollywood.

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I didn't know how to go about preparing for the part of someone who can't remember who he is. The frustration angle is written in, but there's also this incredible passive state.

I didn't know how to go about preparing for the part of someone who can't remember who he is. The frustration angle is written in, but there's also this incredible passive state.

I didn't know how to go about preparing for the part of someone who can't remember who he is. The frustration angle is written in, but there's also this incredible passive state.

I didn't know how to go about preparing for the part of someone who can't remember who he is. The frustration angle is written in, but there's also this incredible passive state.

I didn't know how to go about preparing for the part of someone who can't remember who he is. The frustration angle is written in, but there's also this incredible passive state.

I didn't know how to go about preparing for the part of someone who can't remember who he is. The frustration angle is written in, but there's also this incredible passive state.

I didn't know how to go about preparing for the part of someone who can't remember who he is. The frustration angle is written in, but there's also this incredible passive state.

I didn't know how to go about preparing for the part of someone who can't remember who he is. The frustration angle is written in, but there's also this incredible passive state.

I didn't know how to go about preparing for the part of someone who can't remember who he is. The frustration angle is written in, but there's also this incredible passive state.

I didn't know how to go about preparing for the part of someone who can't remember who he is. The frustration angle is written in, but there's also this incredible passive state.

I didn't know how to go about preparing for the part of someone who can't remember who he is. The frustration angle is written in, but there's also this incredible passive state.

I didn't know how to go about preparing for the part of someone who can't remember who he is. The frustration angle is written in, but there's also this incredible passive state.

I didn't know how to go about preparing for the part of someone who can't remember who he is. The frustration angle is written in, but there's also this incredible passive state.

I didn't know how to go about preparing for the part of someone who can't remember who he is. The frustration angle is written in, but there's also this incredible passive state.

I didn't know how to go about preparing for the part of someone who can't remember who he is. The frustration angle is written in, but there's also this incredible passive state.