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Because I was a dancer when I was a kid, I have so much empathy for these young girls who are so drawn to something lovely in music and in movement, and yet they encounter a world full of judgment and criticism of 11-year-old artists and bodies.

- Sharon Lawrence
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Author:
Sharon Lawrence
Tags:
Music
World
Empathy
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My interest in Women in Film came from attending the Crystal Awards in 1998 where Meryl Streep and producers Gale Anne Hurd and Lucy Fisher were honored with the annual award.

I was interested in working on a show that was driven by women.

I'm somebody who takes risks, for better or worse. Fortunately, most of them have been for the better!

I was comfortable in my thirties playing the romantic partner, the hero that saves the day, or the woman who is facing a world that revolves around younger kid actors.

Go out there and see where the world needs your touch. That kind of meaning not only makes you feel more connected to your environment on a local scale, but also to yourself - whether you can operate from something beyond the definition that others might place on you.

My problem is: as a singer and a dancer, if I get it in my body one way, it is harder for me to be open to something new - to something else; to something that is really organically connected to the piece and not just to my perception of it.

I didn't like the 'Survivor' shows because of the mean-spirited aspect, and women certainly were part of whatever conflict they would create.

I was the Chair of the WIFF Foundation, which is the philanthropic arm of Women In Film. The foundation runs the several programs including one that provide our film finishing fund. So we help women complete their films with a grant from Netflix. It's great to be associated with award winning films like 'Freeheld' and 'Circumstance'.

I tend to learn things physically - I guess it's my dance training. I never want to make too many choices too soon - so, while I am thinking about the character and thinking about her history, which is very vague in terms of what is given in the text, I am starting to have ideas about what her home is.

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Because I was a dancer when I was a kid, I have so much empathy for these young girls who are so drawn to something lovely in music and in movement, and yet they encounter a world full of judgment and criticism of 11-year-old artists and bodies.

Because I was a dancer when I was a kid, I have so much empathy for these young girls who are so drawn to something lovely in music and in movement, and yet they encounter a world full of judgment and criticism of 11-year-old artists and bodies.

Because I was a dancer when I was a kid, I have so much empathy for these young girls who are so drawn to something lovely in music and in movement, and yet they encounter a world full of judgment and criticism of 11-year-old artists and bodies.

Because I was a dancer when I was a kid, I have so much empathy for these young girls who are so drawn to something lovely in music and in movement, and yet they encounter a world full of judgment and criticism of 11-year-old artists and bodies.

Because I was a dancer when I was a kid, I have so much empathy for these young girls who are so drawn to something lovely in music and in movement, and yet they encounter a world full of judgment and criticism of 11-year-old artists and bodies.

Because I was a dancer when I was a kid, I have so much empathy for these young girls who are so drawn to something lovely in music and in movement, and yet they encounter a world full of judgment and criticism of 11-year-old artists and bodies.

Because I was a dancer when I was a kid, I have so much empathy for these young girls who are so drawn to something lovely in music and in movement, and yet they encounter a world full of judgment and criticism of 11-year-old artists and bodies.

Because I was a dancer when I was a kid, I have so much empathy for these young girls who are so drawn to something lovely in music and in movement, and yet they encounter a world full of judgment and criticism of 11-year-old artists and bodies.

Because I was a dancer when I was a kid, I have so much empathy for these young girls who are so drawn to something lovely in music and in movement, and yet they encounter a world full of judgment and criticism of 11-year-old artists and bodies.

Because I was a dancer when I was a kid, I have so much empathy for these young girls who are so drawn to something lovely in music and in movement, and yet they encounter a world full of judgment and criticism of 11-year-old artists and bodies.

Because I was a dancer when I was a kid, I have so much empathy for these young girls who are so drawn to something lovely in music and in movement, and yet they encounter a world full of judgment and criticism of 11-year-old artists and bodies.

Because I was a dancer when I was a kid, I have so much empathy for these young girls who are so drawn to something lovely in music and in movement, and yet they encounter a world full of judgment and criticism of 11-year-old artists and bodies.

Because I was a dancer when I was a kid, I have so much empathy for these young girls who are so drawn to something lovely in music and in movement, and yet they encounter a world full of judgment and criticism of 11-year-old artists and bodies.

Because I was a dancer when I was a kid, I have so much empathy for these young girls who are so drawn to something lovely in music and in movement, and yet they encounter a world full of judgment and criticism of 11-year-old artists and bodies.

Because I was a dancer when I was a kid, I have so much empathy for these young girls who are so drawn to something lovely in music and in movement, and yet they encounter a world full of judgment and criticism of 11-year-old artists and bodies.