The first 45 or 50 years of the regional theater movement, all these folks, they built these theaters. The job of the next generation is to maintain them.
I love film because you have the last word. I never get that on stage because you've got to really believe; you've got to get the actors to trust you, and they have to believe in you, and then hopefully they will when you open the show.
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I've always liked that idea of a diverse group of audience members sitting together, rubbing up against each other and taking on the life of a culture that doesn't belong to either one of them.
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As an older generation, we need to give all our young people love and the possibility of realizing their dreams. For instance, if I get really political, the fact that some people can't go to college, can't even think about college, that's not American; that's not right.
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I always say film is art, theater is life and television is furniture.
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I've always had an affinity for writers who have a poetry background, so I always liked Tennessee Williams.
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I came from the South with a mother who was hard working, so I love going to work every day.
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I always approach every play based on the cast. When Denzel and I did 'Fences,' I didn't go to rehearsals and say, 'OK, James Earl Jones did a wonderful job in '87. Let me see if you can come close to James Earl Jones.'
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I'm not one to spend my life asking the question, 'Is there racism in America?' Certainly there is. But I want to do something about it.
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There's room for Spike Lee's movies; there's room for Tyler Perry's movies. There's room for classics with an all black cast. There's room for all of it as long as we don't try to make any one piece define us as a race.
The first 45 or 50 years of the regional theater movement, all these folks, they built these theaters. The job of the next generation is to maintain them.
The first 45 or 50 years of the regional theater movement, all these folks, they built these theaters. The job of the next generation is to maintain them.
The first 45 or 50 years of the regional theater movement, all these folks, they built these theaters. The job of the next generation is to maintain them.
The first 45 or 50 years of the regional theater movement, all these folks, they built these theaters. The job of the next generation is to maintain them.
The first 45 or 50 years of the regional theater movement, all these folks, they built these theaters. The job of the next generation is to maintain them.
The first 45 or 50 years of the regional theater movement, all these folks, they built these theaters. The job of the next generation is to maintain them.
The first 45 or 50 years of the regional theater movement, all these folks, they built these theaters. The job of the next generation is to maintain them.
The first 45 or 50 years of the regional theater movement, all these folks, they built these theaters. The job of the next generation is to maintain them.
The first 45 or 50 years of the regional theater movement, all these folks, they built these theaters. The job of the next generation is to maintain them.
The first 45 or 50 years of the regional theater movement, all these folks, they built these theaters. The job of the next generation is to maintain them.
The first 45 or 50 years of the regional theater movement, all these folks, they built these theaters. The job of the next generation is to maintain them.
The first 45 or 50 years of the regional theater movement, all these folks, they built these theaters. The job of the next generation is to maintain them.
The first 45 or 50 years of the regional theater movement, all these folks, they built these theaters. The job of the next generation is to maintain them.
The first 45 or 50 years of the regional theater movement, all these folks, they built these theaters. The job of the next generation is to maintain them.
The first 45 or 50 years of the regional theater movement, all these folks, they built these theaters. The job of the next generation is to maintain them.