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If you look at Kirsten Dunst's performance in 'Melancholia,' which I think is absolutely wonderful - it's not even in the text, because she doesn't say much; it's all in her eyes. She doesn't have to explain what she's feeling. You just feel it.

- Stellan Skarsgard
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Stellan Skarsgard
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Eyes
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When Lars Von Trier calls me, I say yes without reading the script because often the script hasn't been written yet, and if Fincher called me again, I'd say yes without reading the script, too.

The biggest enemy of any actor is fear.

Of course, working with Halle Berry is fantastic. Every day, you're looking at a performance that you would be prepared to pay to watch. She's truly great and truthful, and it's a joy.

It takes a long time to make me beautiful, but it goes fast to make me ugly.

Most of my acting in general is about what's going on in the head, and the lines are just something that comes out.

Any society that starts forbidding certain words or expressions is a society you should be wary about, whether it's the KGB or social consensus that enforces it.

I don't feel ashamed or humiliated when I am naked, but I definitely feel it when I am playing games.

I've worked with Lars von Trier on many films, and there's always a female character that's like an open wound - everything just pours out of this person.

I've never thought of myself as a professional. I very rarely do something I don't enjoy.

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If you look at Kirsten Dunst's performance in 'Melancholia,' which I think is absolutely wonderful - it's not even in the text, because she doesn't say much; it's all in her eyes. She doesn't have to explain what she's feeling. You just feel it.

If you look at Kirsten Dunst's performance in 'Melancholia,' which I think is absolutely wonderful - it's not even in the text, because she doesn't say much; it's all in her eyes. She doesn't have to explain what she's feeling. You just feel it.

If you look at Kirsten Dunst's performance in 'Melancholia,' which I think is absolutely wonderful - it's not even in the text, because she doesn't say much; it's all in her eyes. She doesn't have to explain what she's feeling. You just feel it.

If you look at Kirsten Dunst's performance in 'Melancholia,' which I think is absolutely wonderful - it's not even in the text, because she doesn't say much; it's all in her eyes. She doesn't have to explain what she's feeling. You just feel it.

If you look at Kirsten Dunst's performance in 'Melancholia,' which I think is absolutely wonderful - it's not even in the text, because she doesn't say much; it's all in her eyes. She doesn't have to explain what she's feeling. You just feel it.

If you look at Kirsten Dunst's performance in 'Melancholia,' which I think is absolutely wonderful - it's not even in the text, because she doesn't say much; it's all in her eyes. She doesn't have to explain what she's feeling. You just feel it.

If you look at Kirsten Dunst's performance in 'Melancholia,' which I think is absolutely wonderful - it's not even in the text, because she doesn't say much; it's all in her eyes. She doesn't have to explain what she's feeling. You just feel it.

If you look at Kirsten Dunst's performance in 'Melancholia,' which I think is absolutely wonderful - it's not even in the text, because she doesn't say much; it's all in her eyes. She doesn't have to explain what she's feeling. You just feel it.

If you look at Kirsten Dunst's performance in 'Melancholia,' which I think is absolutely wonderful - it's not even in the text, because she doesn't say much; it's all in her eyes. She doesn't have to explain what she's feeling. You just feel it.

If you look at Kirsten Dunst's performance in 'Melancholia,' which I think is absolutely wonderful - it's not even in the text, because she doesn't say much; it's all in her eyes. She doesn't have to explain what she's feeling. You just feel it.

If you look at Kirsten Dunst's performance in 'Melancholia,' which I think is absolutely wonderful - it's not even in the text, because she doesn't say much; it's all in her eyes. She doesn't have to explain what she's feeling. You just feel it.

If you look at Kirsten Dunst's performance in 'Melancholia,' which I think is absolutely wonderful - it's not even in the text, because she doesn't say much; it's all in her eyes. She doesn't have to explain what she's feeling. You just feel it.

If you look at Kirsten Dunst's performance in 'Melancholia,' which I think is absolutely wonderful - it's not even in the text, because she doesn't say much; it's all in her eyes. She doesn't have to explain what she's feeling. You just feel it.

If you look at Kirsten Dunst's performance in 'Melancholia,' which I think is absolutely wonderful - it's not even in the text, because she doesn't say much; it's all in her eyes. She doesn't have to explain what she's feeling. You just feel it.

If you look at Kirsten Dunst's performance in 'Melancholia,' which I think is absolutely wonderful - it's not even in the text, because she doesn't say much; it's all in her eyes. She doesn't have to explain what she's feeling. You just feel it.