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You never know what you're going to learn from which pieces and which composers and colleagues are going to influence that thing you think you know.

- Hilary Hahn
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Hilary Hahn
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Colleagues
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There's this feeling of creativity in Iceland.

As a young performer, what you need to be doing is building your technique and musicality, not promoting your abilities - unless you're ready to take on all that will result from such an approach.

Writing is a good creative outlet... it's a supplement to my music.

I've been to New Zealand several times.

The violin didn't keep me from doing things I wanted to do.

When we talk about music, we tend to place our experiences into one of two categories: making the music and listening to it. Delineating the two seems practical and obvious. In reality, though, there are a lot of opportunities for overlap, and it doesn't matter how you get into the music as long as you connect with it.

I am not trying to be cooler or change my image or get into pop music.

When I started my recording career, I hoped that someday the Grammy committee would notice something.

I've never loved composing, because I feel like other people do it better.

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You never know what you're going to learn from which pieces and which composers and colleagues are going to influence that thing you think you know.

You never know what you're going to learn from which pieces and which composers and colleagues are going to influence that thing you think you know.

You never know what you're going to learn from which pieces and which composers and colleagues are going to influence that thing you think you know.

You never know what you're going to learn from which pieces and which composers and colleagues are going to influence that thing you think you know.

You never know what you're going to learn from which pieces and which composers and colleagues are going to influence that thing you think you know.

You never know what you're going to learn from which pieces and which composers and colleagues are going to influence that thing you think you know.

You never know what you're going to learn from which pieces and which composers and colleagues are going to influence that thing you think you know.

You never know what you're going to learn from which pieces and which composers and colleagues are going to influence that thing you think you know.

You never know what you're going to learn from which pieces and which composers and colleagues are going to influence that thing you think you know.

You never know what you're going to learn from which pieces and which composers and colleagues are going to influence that thing you think you know.

You never know what you're going to learn from which pieces and which composers and colleagues are going to influence that thing you think you know.

You never know what you're going to learn from which pieces and which composers and colleagues are going to influence that thing you think you know.

You never know what you're going to learn from which pieces and which composers and colleagues are going to influence that thing you think you know.

You never know what you're going to learn from which pieces and which composers and colleagues are going to influence that thing you think you know.

You never know what you're going to learn from which pieces and which composers and colleagues are going to influence that thing you think you know.