There are two kinds of magic. If you think of it like martial arts, there's sparring, where you are doing it with a partner, and the other is kata, where you're doing an exposition for the audience.
Our absolutes should always be hypothesis. They should never be confirmed as fact because everything that we construct through our perceptions, through our memories, is so corruptible. The skills that I have can really display that.
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Our absolutes should always be hypothesis. They should never be confirmed as fact because everything that we construct through our perceptions, through our memories, is so corruptible. The skills that I have can really display that.
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I can analyze how I do things, but the actual doing it - when the synapses just start firing - I can't explain.
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I think that's kind of my forte is that I tell people beforehand that I'm going to steal from them. And a lot of people think that that makes them safe, and hopefully I wake them up a little bit.
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When I was around 13 or 14, and I was in a private school, I had a Frisbee that had the name Apollo on it. And I'd walk around with it. People would say, 'Hey, there's that Apollo kid.' That's where the name generated from.
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When you look at all this massive data that comes in from our senses, and it all has to come in through this central point, it's really interesting that we can identify the filter that our mind is using to select what it thinks is relevant and what it's going to forget.
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When I became a teen, I ran into a friend at a magic shop who took me under his wing. I started reading up on magical theory and immediately blended that with what my brothers had shown me.
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I had physical disabilities as a kid. I had fine gross motor problems, so I didn't have natural dexterity in my hands. I also wore corrective braces on my legs, like in 'Forrest Gump.'
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One time, I had a guy, when I was performing at Caesar's Palace, and during the course of the show, I offered him an anniversary gift for him and his wife, and it was her watch wrapped in a little package.
There are two kinds of magic. If you think of it like martial arts, there's sparring, where you are doing it with a partner, and the other is kata, where you're doing an exposition for the audience.
There are two kinds of magic. If you think of it like martial arts, there's sparring, where you are doing it with a partner, and the other is kata, where you're doing an exposition for the audience.
There are two kinds of magic. If you think of it like martial arts, there's sparring, where you are doing it with a partner, and the other is kata, where you're doing an exposition for the audience.
There are two kinds of magic. If you think of it like martial arts, there's sparring, where you are doing it with a partner, and the other is kata, where you're doing an exposition for the audience.
There are two kinds of magic. If you think of it like martial arts, there's sparring, where you are doing it with a partner, and the other is kata, where you're doing an exposition for the audience.
There are two kinds of magic. If you think of it like martial arts, there's sparring, where you are doing it with a partner, and the other is kata, where you're doing an exposition for the audience.
There are two kinds of magic. If you think of it like martial arts, there's sparring, where you are doing it with a partner, and the other is kata, where you're doing an exposition for the audience.
There are two kinds of magic. If you think of it like martial arts, there's sparring, where you are doing it with a partner, and the other is kata, where you're doing an exposition for the audience.
There are two kinds of magic. If you think of it like martial arts, there's sparring, where you are doing it with a partner, and the other is kata, where you're doing an exposition for the audience.
There are two kinds of magic. If you think of it like martial arts, there's sparring, where you are doing it with a partner, and the other is kata, where you're doing an exposition for the audience.
There are two kinds of magic. If you think of it like martial arts, there's sparring, where you are doing it with a partner, and the other is kata, where you're doing an exposition for the audience.
There are two kinds of magic. If you think of it like martial arts, there's sparring, where you are doing it with a partner, and the other is kata, where you're doing an exposition for the audience.
There are two kinds of magic. If you think of it like martial arts, there's sparring, where you are doing it with a partner, and the other is kata, where you're doing an exposition for the audience.
There are two kinds of magic. If you think of it like martial arts, there's sparring, where you are doing it with a partner, and the other is kata, where you're doing an exposition for the audience.
There are two kinds of magic. If you think of it like martial arts, there's sparring, where you are doing it with a partner, and the other is kata, where you're doing an exposition for the audience.