In Fall Out Boy, I noticed that I wasn't putting all that much soul into it. It was just kind of screaming, I guess. I was just dying to get out of there!
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In Fall Out Boy, I noticed that I wasn't putting all that much soul into it. It was just kind of screaming, I guess. I was just dying to get out of there!
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The song that's affected me the most profoundly is probably Michael Jackson's 'Thriller,' or, more specifically, the couple seconds of instrumental break before Vincent Price starts 'rapping.'
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There's a certain fear of simplicity. I think that's the thing, when you're younger as an artist, you get this idea in your head that complexity equals quality. The more notes you're playing, the better.
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Why do we make records? Because we want to say something. Why are you in art? Because you want to say something. The second you don't have anything to say, you stop making art - you might start making product. And I'm interested in being an artist.
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One of the things that always was Fall Out Boy was trying new things and kind of pushing ourselves in different directions.
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Touring on 'Folie' was like being the last act at the vaudeville show: We were rotten vegetable targets in clandestine hoods.
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Steven Tyler isn't in Aerosmith anymore, but his gravestone will probably say something about Aerosmith.
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The music business is one of a few places where everything you've heard about it seems entirely cliche, but it's true.
