I keep very weird hours. I never know when I'm going to get an idea.
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The sad events that occur in my life are the sad events that happen to everybody, with losing friends and family, but that is a natural occurrence, as natural as being born.
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Once you've established where you are, you go to the character and elaborate on expressions and action.
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Sometimes, you start with the drawing and then the gag comes to you in the middle of it. That is when you start working on the solution of the gag, which is composition, placing, equilibrium, and character design.
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My best sources are my travels and my collection of National Geographic.
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The Western, when I do one, will be one long, continuous story.
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I don't enjoy the boo scare when you're watching a movie and then suddenly there's a big shark on the screen. The only thing they're doing is catching you off guard.
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If the gag is complicated, you spend more time thinking about the way you're drawing it.
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When you're drawing comics, you get very involved in how the story is going to develop and you spend more time daydreaming on that particular subject.