I used to set myself little challenges to make the work more interesting.
Copied to Clipboard
Copied to Clipboard
There's a small group of music critics in the States who will forgive you anything - jazz, a long prison term, or what have you - anything but scoring a Hollywood musical.
Copied to Clipboard
Copied to Clipboard
I don't ever consciously change gears when I play jazz or classical. It's all music.
Copied to Clipboard
Copied to Clipboard
I absolutely insist upon adequate rehearsal time - particularly for the pieces that orchestras know best. Because there, the tendency is not to take them apart - rediscover them - and you must.
Copied to Clipboard
Copied to Clipboard
People who don't do jazz think it's black magic. But really, it's just a matter of getting used to it. It's fun to gamble. The trick is not to fall back on the things you've done before.
Copied to Clipboard
Copied to Clipboard
I don't even have a cell phone. I don't know how they work.
Copied to Clipboard
Copied to Clipboard
I've had the healthy and sobering experience of constantly working with music that is invariably better than any performance of it can be.
Copied to Clipboard
Copied to Clipboard
I remain extraordinarily proud of the Vaughan Williams symphonies I recorded with the LSO, and in the 1980s and '90s, I made an almost complete cycle of orchestral works by Richard Strauss with the Vienna Philharmonic.
Copied to Clipboard
Copied to Clipboard
Music critics have made it quite clear that any composer who ever contributed a four-bar jingle to a film was to be referred to as a 'Hollywood composer' from then on, even if the rest of his output were to consist solely of liturgical organ sonatas.