My interest is to work in as uncompromised a way as possible.
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The journey for women, no matter what venue it is - politics, business, film - it's, it's a long journey.
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I realised that there's a more muscular approach to film-making that I found very inspiring.
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My movement from painting to film was a very conscious one.
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I need to have my hands on the DNA of a film.
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I began to exercise a lot of cinematic muscle with the precepts I had learned in the New York art world. Film was intriguing. I began to think of art as elitist; film was not.
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When I made my first film, I didn't think of it as directing, so it wasn't like I set out to become a director.
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The urge to purge the material I come up with is, I guess, an ongoing process.
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Perhaps the only thing in my favor is that I am very tenacious. I don't take 'no' very well.