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Cinema has the capacity to be so physiological.

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My interest is to work in as uncompromised a way as possible.

The journey for women, no matter what venue it is - politics, business, film - it's, it's a long journey.

I realised that there's a more muscular approach to film-making that I found very inspiring.

My movement from painting to film was a very conscious one.

I need to have my hands on the DNA of a film.

I began to exercise a lot of cinematic muscle with the precepts I had learned in the New York art world. Film was intriguing. I began to think of art as elitist; film was not.

When I made my first film, I didn't think of it as directing, so it wasn't like I set out to become a director.

The urge to purge the material I come up with is, I guess, an ongoing process.

Perhaps the only thing in my favor is that I am very tenacious. I don't take 'no' very well.

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Cinema has the capacity to be so physiological.

Cinema has the capacity to be so physiological.

Cinema has the capacity to be so physiological.

Cinema has the capacity to be so physiological.

Cinema has the capacity to be so physiological.

Cinema has the capacity to be so physiological.

Cinema has the capacity to be so physiological.

Cinema has the capacity to be so physiological.

Cinema has the capacity to be so physiological.

Cinema has the capacity to be so physiological.

Cinema has the capacity to be so physiological.

Cinema has the capacity to be so physiological.

Cinema has the capacity to be so physiological.

Cinema has the capacity to be so physiological.

Cinema has the capacity to be so physiological.