I'm free - but I'm also not free because there are millions of young people living in Iran. A filmmaker can only do a little.
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I always loved music, and I always wanted to make a film about it, but I could never do it because of the censorship that was around.
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Lying and corruption are in the Iranian society in all sense of the world, and if you do research about married women, you see that a lot of them tell you they get a lot of enjoyment from breaking the rules of corruption, because just for the fact that they break the rules, it makes them oppose the system.
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I had seen some films made about the underground music world in Tehran, and most of them were short documentaries about 30 or 40 minutes long. And I always wondered why they weren't publicized more. Really, their only flaw was they were short documentaries.
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I'm very much interested in music specifically and wanted to make a film about it, but not in an atmosphere of censorship.
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In Kurdistan, there's a lot of hardship - a lot of wars, a lot of bitter and difficult lifestyles. And witnessing all those made me a director.
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I had no education in filmmaking. I started with a 8mm camera. I made 34 films, and little by little I gained more experience in filming.
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I love music, I make films with music, I eat with music, I sleep with music, I think with music. Music makes me dream; it strengthens my creativity.
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I use humour a lot. My foundation is tragic, but my appearance is humorous.