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Eliminator' was a big, experimental thing.

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A long time ago, you couldn't say what you mean in blues. You had to disguise it, and that's where the double entendres and humour comes from and that's where we come from.

I just love the idea of taking an elevator down to the stage, like Elvis did.

I'm a sex symbol. Is that wild? It blows me away. I mean, I've always known it, I just figured nobody else did.

They sent us the script of 'Back to the Future III' and we wrote 'Doubleback' for it.

I'm a fan of Las Vegas and always have been, on many levels.

You don't have to play the blues to play rock 'n' roll, but that's where, somewhere along the line, your influences came from. I mean, I don't care where you got it from. If you got it from Eric Clapton, he got it from the blues.

We were on the road playing when we started acquiring gold records.

We record a lot of our shows, we record our soundchecks.

Legs' wouldn't be 'Legs' unless it had that driving synth bass.

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Eliminator' was a big, experimental thing.

Eliminator' was a big, experimental thing.

Eliminator' was a big, experimental thing.

Eliminator' was a big, experimental thing.

Eliminator' was a big, experimental thing.

Eliminator' was a big, experimental thing.

Eliminator' was a big, experimental thing.

Eliminator' was a big, experimental thing.

Eliminator' was a big, experimental thing.

Eliminator' was a big, experimental thing.

Eliminator' was a big, experimental thing.

Eliminator' was a big, experimental thing.

Eliminator' was a big, experimental thing.

Eliminator' was a big, experimental thing.

Eliminator' was a big, experimental thing.