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Probably the biggest temptation that young writers face is to be entertaining, to show your bag of tricks and do a bit of tap dancing. I read a lot of things, and I keep seeing this brocade of voice where someone is trying to be too pally with you or ingratiating on the page.

- Teju Cole
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Teju Cole
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Swear you'd rather die than use 'literally' as an intensifier.

Always say 'no pun intended' to draw attention to the intended pun.

I am a novelist. I traffic in subtleties, and my goal in writing a novel is to leave the reader not knowing what to think. A good novel shouldn't have a point.

I am suspicious of writers who say their work is original and influenced by nobody. If it is, it is probably uninteresting. The biggest source of novels is other novels.

Breughel is an example of an artist - I mean, this is true about artists and painters in general, but he is a specific example of an artist whose work contains more than you think it does at first glance. Whose work rewards, sustains attention and looking.

To read Transtromer - the best times are at night, in silence, and alone - is to surrender to the far-fetched. It is to climb out of bed and listen to what the house is saying, and to how the wind outside responds. Each of his readers reads him as a personal secret.

A mob is not, as is so often said, mindless. A mob is single-minded.

In a Transtromer poem, you inhabit space differently; a body becomes a thing, a mind floats, things have lives, and even non-things, even concepts, are alive.

I'm not trying to be a poet on Twitter; I'm trying to be aware of the fact that a very simple sentence, well written, can have a very moving effect without that person knowing why. There's a deep genetic part of you that somehow, even without your permission, recognizes good language when it arrives.

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Probably the biggest temptation that young writers face is to be entertaining, to show your bag of tricks and do a bit of tap dancing. I read a lot of things, and I keep seeing this brocade of voice where someone is trying to be too pally with you or ingratiating on the page.

Probably the biggest temptation that young writers face is to be entertaining, to show your bag of tricks and do a bit of tap dancing. I read a lot of things, and I keep seeing this brocade of voice where someone is trying to be too pally with you or ingratiating on the page.

Probably the biggest temptation that young writers face is to be entertaining, to show your bag of tricks and do a bit of tap dancing. I read a lot of things, and I keep seeing this brocade of voice where someone is trying to be too pally with you or ingratiating on the page.

Probably the biggest temptation that young writers face is to be entertaining, to show your bag of tricks and do a bit of tap dancing. I read a lot of things, and I keep seeing this brocade of voice where someone is trying to be too pally with you or ingratiating on the page.

Probably the biggest temptation that young writers face is to be entertaining, to show your bag of tricks and do a bit of tap dancing. I read a lot of things, and I keep seeing this brocade of voice where someone is trying to be too pally with you or ingratiating on the page.

Probably the biggest temptation that young writers face is to be entertaining, to show your bag of tricks and do a bit of tap dancing. I read a lot of things, and I keep seeing this brocade of voice where someone is trying to be too pally with you or ingratiating on the page.

Probably the biggest temptation that young writers face is to be entertaining, to show your bag of tricks and do a bit of tap dancing. I read a lot of things, and I keep seeing this brocade of voice where someone is trying to be too pally with you or ingratiating on the page.

Probably the biggest temptation that young writers face is to be entertaining, to show your bag of tricks and do a bit of tap dancing. I read a lot of things, and I keep seeing this brocade of voice where someone is trying to be too pally with you or ingratiating on the page.

Probably the biggest temptation that young writers face is to be entertaining, to show your bag of tricks and do a bit of tap dancing. I read a lot of things, and I keep seeing this brocade of voice where someone is trying to be too pally with you or ingratiating on the page.

Probably the biggest temptation that young writers face is to be entertaining, to show your bag of tricks and do a bit of tap dancing. I read a lot of things, and I keep seeing this brocade of voice where someone is trying to be too pally with you or ingratiating on the page.

Probably the biggest temptation that young writers face is to be entertaining, to show your bag of tricks and do a bit of tap dancing. I read a lot of things, and I keep seeing this brocade of voice where someone is trying to be too pally with you or ingratiating on the page.

Probably the biggest temptation that young writers face is to be entertaining, to show your bag of tricks and do a bit of tap dancing. I read a lot of things, and I keep seeing this brocade of voice where someone is trying to be too pally with you or ingratiating on the page.

Probably the biggest temptation that young writers face is to be entertaining, to show your bag of tricks and do a bit of tap dancing. I read a lot of things, and I keep seeing this brocade of voice where someone is trying to be too pally with you or ingratiating on the page.

Probably the biggest temptation that young writers face is to be entertaining, to show your bag of tricks and do a bit of tap dancing. I read a lot of things, and I keep seeing this brocade of voice where someone is trying to be too pally with you or ingratiating on the page.

Probably the biggest temptation that young writers face is to be entertaining, to show your bag of tricks and do a bit of tap dancing. I read a lot of things, and I keep seeing this brocade of voice where someone is trying to be too pally with you or ingratiating on the page.