Art requires choices, the more specific, the better.
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In general, the human race is still a young organism.
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I used to live in New York, and I know a number of people who have friends who work at galleries. I spent time hanging out with them, going to openings. It was a good way to do research, to hang out and to look at the art that was present.
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I don't intend to write the same kind of book for the rest of my life because I feel I would not be satisfied only writing in one mode.
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When I was four, we went to Oahu. It was the first time we celebrated Passover away from home.
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The most important lesson my parents taught me is that writing is a job, one that requires discipline and commitment. Most of the time it's a fun job, a wonderful job, but sometimes it isn't, and those are the days that test you.
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People are interested in writing, and often there's an unjustifiable sense of people to believe my talking to them for the book is going to accord them any sort of fame. Which it won't. At the same time, they can be more circumspect if they know they're on the record.
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Naturally, it was easier for me to envision becoming a novelist than it is for most people. I had two great in-house teachers; I had parents who considered a career in the arts a real possibility rather than a dreamy arrow shot into the sky.
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I remember my father banging away on an IBM Selectric in the garage. He wrote his first novels on that machine. I remember its pebbly surface, its cold heft. It made its mark, literally and violently.