"Music as a business is a dirty thing." — Brian Reitzell

With 'Hannibal,' it's almost like the music is part of the furniture, so as a character goes from one room to another room, or we go from one place to another or whatever, the music is just going with it the whole time the same way that the audience is sort of tracking it and following along.

The library companies have made it so that music is so cheap to license. They do sound-alikes of every band, and it makes it harder for the actual bands to get any decent paychecks for licensing.

'Loveless' was a really big record for me. It was what was keeping me alive when I was still touring with Redd Kross.

NBC has not once given me a music note. I get the freedom to do what I want, and that's kind of amazing.

If I put the sound of the ocean on, that's going to do something to you. And I know what that is because it does it to me, too.

When my parents got divorced, I wanted to spend my time laying in the garage listening to the washer and dryer. Loud, immersive, changing. It was music to me.

I love futurist music.

Every continent on Earth has a form of bullroarer - it's the oldest instrument known to man.

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Music as a business is a dirty thing.