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While I don't script and I don't use other performers, I think my taste for underlying precision gives me something in common with Allan and George Brecht.

- David Antin
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Author:
David Antin
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Me
Taste
Precision
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When my mother left her second husband, she wrote her autobiography and presented it to him for his approval.

I wanted to be an inventor, whatever I thought that meant then. I guess I was thinking of Edison or maybe James Watt. Or maybe even Newton.

I have spoken to expert audiences occasionally, but then no audience is expert over the whole range of things I want to explore.

Stories are different every time you tell them - they allow so many possible narratives.

The self is an oral society in which the present is constantly running a dialogue with the past and the future inside of one skin.

It's hard being a hostage in somebody else's mouth - or a character in somebody else's novel.

I was trying to find out what it was that everybody else understood without giving up my stubborn and hard-won lack of understanding.

I can manage a prose format as long as I keep closer to Laurence Sterne than to Henry James.

When I got to the reading all the work, I was reduced to being an actor in an experimental play that I'd already written. And I didn't want to be an actor.

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While I don't script and I don't use other performers, I think my taste for underlying precision gives me something in common with Allan and George Brecht.

While I don't script and I don't use other performers, I think my taste for underlying precision gives me something in common with Allan and George Brecht.

While I don't script and I don't use other performers, I think my taste for underlying precision gives me something in common with Allan and George Brecht.

While I don't script and I don't use other performers, I think my taste for underlying precision gives me something in common with Allan and George Brecht.

While I don't script and I don't use other performers, I think my taste for underlying precision gives me something in common with Allan and George Brecht.

While I don't script and I don't use other performers, I think my taste for underlying precision gives me something in common with Allan and George Brecht.

While I don't script and I don't use other performers, I think my taste for underlying precision gives me something in common with Allan and George Brecht.

While I don't script and I don't use other performers, I think my taste for underlying precision gives me something in common with Allan and George Brecht.

While I don't script and I don't use other performers, I think my taste for underlying precision gives me something in common with Allan and George Brecht.

While I don't script and I don't use other performers, I think my taste for underlying precision gives me something in common with Allan and George Brecht.

While I don't script and I don't use other performers, I think my taste for underlying precision gives me something in common with Allan and George Brecht.

While I don't script and I don't use other performers, I think my taste for underlying precision gives me something in common with Allan and George Brecht.

While I don't script and I don't use other performers, I think my taste for underlying precision gives me something in common with Allan and George Brecht.

While I don't script and I don't use other performers, I think my taste for underlying precision gives me something in common with Allan and George Brecht.

While I don't script and I don't use other performers, I think my taste for underlying precision gives me something in common with Allan and George Brecht.