I spent a lot of time alone; I left school to be tutored. So, most of my companions were animals. It's as simple as that. I knew more animals than I did people.
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From my earliest memories, my aunt was squirting out oil paint. I could just eat it. I would go from her studio and walk down to my father's house, and there he was, working in egg tempera.
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I'm a very boring person, and all I do is want to paint and to record what I feel moves me or what interests me, and that can be in the form of a pig or in the form of President Kennedy.
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My father was a great inspiration, and there was a bit of competition between us. He'd work in his studio, and I'd work in my space, but the door was always half open.
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All my problems and anxieties certainly come out of my work, and that's the way it should be. Other than that, relationships with people I find very, very simple.
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I have copies of the books my grandfather illustrated for Scribner's in each house. I read those books all the time.
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As a child, I always wanted to live on a boat.
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I'm not just interested in fascinating faces or trees. I want to bore in deeper.
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Warhol had a huge effect on me. It wasn't that I sought it out. It was more of a natural evolution.