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Melancholy is no bad thing.
I learned to change my accent; in England, your accent identifies you very strongly with a class, and I did not want to be held back.
I feel this music has nurtured me as I've been immersing myself in it. I've felt supported by it.
I do my best work when I am in pain and turmoil.
I always stayed fit because I'm a performer, and all of those things help me to perform.
The logical process will often be the safe one. I tend, when I'm given that choice, to go the way that's not safe.
I'm not speaking as someone who has reached satori or anything else. I'm a student.
I don't like singing before noon.
I see music as one language. If one musical form eats its own tail, it dies. So it needs to be a mongrel, it needs to be hybridised.
I've only paid lip service to a spiritual life.
