I was imagining films in my head and trying to gather friends together to make movies since I was a kid. I tried to do comedy skits and a horror film.
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I love period pieces. But it's hard to get money to make costumed dramas, so we'll see.
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No, ramen's not good for you. But in Japan, our favorite thing to do after drinking all night, especially in Sapporo where it's freezing cold, is to go to the ramen place at two, three in the morning.
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I think the semantics of mini-series for a network is that it has an end.
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I eventually want to do writing on all the films, but not necessarily to be the writer. Writing is a painful, painful thing; it really is.
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The theoretical casting part of movies is the funnest part. You really can imagine so many different versions of a story based on who's embodying it.
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My grandma was really sick when I was working on 'Sin Nombre' and eventually died that summer when we were finishing the film. But I was able to bring an unfinished version of the film for her to watch.
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I'd done the method bit before from, like, age 15 to 19. I was a Civil War re-enactor.
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I wanted to make my sophomore film as different as possible. I didn't want to be pigeonholed. I didn't want to be identifiable.