Why would a novel - which is all about the inward processes of people's developing feelings and developing relationships - why would you be able to portray that in pictures with as few words as possible, which is what the best films are?
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My ideal relationship with the reader is that at certain points they will have said, 'I'm finding this quite tough, but I'm going to hang in there,' then at the end they will say, 'Oh God, I'm glad I hung on, it was so worth it.'
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What I like in novels that I read and enjoy is interplay of theme: the mystery of how we seem to be so separate as human beings.
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I don't do interviews at home any more because my wife doesn't like having her taste in interiors put through the mill. And I get annoyed when journalists make snide remarks about the annoyingly pretentious shops in the neighbourhood - because I hate them just as much.
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If I could eat only one thing for the rest of my life, it would be rhubarb fool, which I make with ginger and a hint of elderflower cordial.
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It's possible there are no two books in publishing history more dissimilar than 'Human Traces' and 'Devil May Care.' And that was really the attraction of it.
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The nicest characters in 'A Week in December' are, in fact, Muslims - and their religious devotion is one of the things that defines them.
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I think my generation has had an unbelievably easy time profiting from the world that was made for us by our parents and grandparents. We are essentially a rather frivolous generation. The Blair government was my generation's shot at power. It had some good things, but it had some flaws.
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I don't know how you can understand other people or yourself if you haven't read a lot of books. I just don't think you're equipped to deal with the demands and decisions of life, particularly in your dealings with other people.