Cops and robbers resemble each other, so there's not a lot to learn in terms of learning the logistics of committing the crime or investigating the crime.
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So I think what you see in this show is it's really not a just world at all, but you get what you give. So in terms of world view, I would say that's where the differences lie.
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Unfortunately, in television today there are very few African-American characters who are human beings. They are typically two-dimensional stereotypes, cookie-cutter types.
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As an actor, I'm allowed - encouraged! - to explore emotions that have been basically unacceptable in my life. I have a huge well of emotional stuff, and once I give myself permission as an actor, it all comes to the surface. But I'll be damned if I can give myself permission to bring it out as a man.
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I worked with people I admire; Josh Lucas, who I'd worked with many many years ago on a pilot called The Class of 61 and Kurt Russell, and so there were a variety of different people that I enjoyed working with.
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To me, the psychology behind the character is critical. So I work very hard to get into the mind of the man that I'm going to be playing, because number one, I want to understand why he's doing what he's doing. It's essential, it's absolutely essential.
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If you go back to the Conan the Barbarian series, I really liked that.
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As a father, I've tried to encourage my children to have a broader and deeper emotional life than I've had. I want my sons to be able to express their feelings about things.