I had this epiphany that I like the interaction with people. I wanted to make things happen at a grassroots level.
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I listen to music, I read scripts, and I know pretty intuitively if I can unlock it in a way. It's actually very liberating when you understand that not everything is for you.
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I think every theater in America wants a younger audience... and you can't just hope to have a younger audience, you have to program things that audience is going to connect with.
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I think actually what keeps the intensity manageable - it's a little counterintuitive - is that it's changing all the time. Every week is different for me.
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I'm always interested in looking - historically - at how theater can animate history and how all of that can make us engage with our lives in an enriching way.
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I've gotten to the point that I don't even know what tomorrow brings. When I'm teaching, obviously I'm in town for the class every week.
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We're a depraved civilization. All this technology, all the computer games and the iPhones... nobody will sit for art anymore. What a dismaying state of humanity.
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When you're a freelance director, you are hired to create the art, and it kind of stops there.
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I grew up with a beautiful gold harp sitting in our living room. My older sister played it.